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Calrec – Summa 128

Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Calrec’s elegant Summa console is designed for broadcast professionals who need to produce creative and engrossing broadcast audio easily, but may not require as many resources as Calrec’s Apollo and Artemis consoles. Control is via a 17-inch multitouch screen inspired by familiar tablet technology, with a straightforward interface that uses established finger gestures to navigate the system. Summa’s considered control simplifies even complex workflow tasks, such as creating mix-minus feeds. Bluefin2 technology gives the Summa 128 a pool of 128 channel processing paths, eight groups, four mains, 16 auxes, and 32 tracks. Its Hydra2 router core provides Summa with the same integral router technology as the Apollo and Artemis consoles.
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  • DiGiCo

DiGiCo – S21

DiGiCo's belief in audio quality and road worthy mechanical design has limited their ability to release an affordable introductory product. These values have required the same pioneering approach to design, not to follow the trend but to deliver the flagship for a price point - and change expectations. DiGiCo's S21 does exactly that. By using new, lower cost FPGA components programmed with the same audio algorithms, and combined with a new form of control processor, DiGiCo is able to deliver the S21 with the fundamental technological values at it's core. Since it's inception in 2002, DiGiCo has always tried to innovate and push technology to deliver more in terms of flexibility and audio quality. There are limitless highlights, but two immediately come to mind; DiGiCo was the first console manufacturer to use TFT touch screen technology, and then went on to pioneer Stealth Digital Processing's FPGA technology to replace DSP as the main audio processor. Stealth Digital Processing has been instrumental in the SD Series range, where, in a recent independent survey, DiGiCo played a pivotal role in eight of the top ten international grossing tours of 2014; evidence enough that when it comes to live sound consoles, DiGiCo pioneers the way. ‘Cutting edge' means leading the world against the norm by demonstrating what can be possible with new unharnessed technology. That's exactly what the vision of FPGA and Stealth Digital Processing promised and the thousands of users today will confirm the reality. The flexibility of being able to reprogram devices from switch on to taking advantage of new compiling tools has allowed the SD range functionality to expand beyond expectation. Using SD9 as our reference example, those investing at the time of launch of this ground breaking product have seen their console evolve into something more comprehensive and powerful, ie: Channels - at launch 40 Flexi channels, today 48 flexi channels (20 % more). Busses - at launch 16 flexi busses, today 24 flexi busses (50 % more). Output Matrix - at launch 8 In / 8 Out, today 12 In / 8 Out. On board FX - at launch 4 FX, today 8 FX. Dynamic EQ - at launch 4 DYN EQ, today 8 DYN EQ No other console has evolved in terms of core processing to this level, and to take it further the complete sample rate shifted from 48kHz to 96kHz. This sample rate increase, in any ordinary console, would mean a reduction in audio processing. This is not the case with Stealth Digital Processing. When SD9 switched to 96kHz in 2012, there was no reduction in audio processing. All these updates were provided to existing owners at no additional cost, allowing them to make an exceptional return on their investment. DiGiCo's belief in audio quality and road worthy mechanical design has limited their ability to release an affordable introductory product. These values have required the same pioneering approach to design, not to follow the trend but to deliver the flagship for a price point - and change expectations. DiGiCo's S21 does exactly that. By using new, lower cost FPGA components programmed with the same audio algorithms, and combined with a new form of control processor, DiGiCo is able to deliver the S21 with the fundamental technological values at it's core. Running in harmony with the FPGA core is a new ARM QuadCore RISC processor. Delivering faster processing with lower power consumption, this efficient tool, combined with the audio core, has allowed the development of a cost effective console worthy of carrying the DiGiCo brand to existing and new owners and users
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  • Equipson

Equipson – MIX U24

MIX U24 is a complete 20-channel digital mixing system in a compact, rack-sized unit. 20 mix channels with 4 aux sends, 4 subgroups, or 8 aux sends. The new MIX U24 has a processor which executes all the digital processing of the audio signals (32 bit with floating point) allowing programming functions such as copying and loading of parameters or the use of internal plugins such as noise gates, compressor / limiter, phase inversion, delay and even blocking functions.

The signals are worked with a sampling rate of 24 bit resolution and a sampling rate of 48 kHz, in addition, the MIX U24 has in its central part a large 7 "color touch screen from which you can completely control the audio process, assign effects, customize routing etc ... Its 100 mm long fader allows precise control over the channel that is assigned to it, also on the back, the MIX U24 allows connection via USB from other devices such as recording output. Thanks to this USB port and an RJ45, remote control of the unit is possible. For this, it is also necessary to obtain the free MIX U24 app, which allows remote control of the device from an IPad very comfortably.

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