Allen & Heath – iLive-144


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  • Studer

Studer – Vista 5 M3

The Vista 5 M3 is a highly flexible, compact digital mixer, with a superbly-conceived control surface that will find favour amongst users in broadcast production, live sound and performance venues.  The Vista 5 M3 is a highly flexible, compact digital mixer, with a superbly-conceived control surface that will find favour amongst users in broadcast production, live sound and performance venues. The console's particularly small size and simple connectivity make it one of the most portable desks on the market, equipping it ideally for use in small to midsize studios and OB trucks. The Vista 5 M3 can easily moved be from one location to another and set up within minutes.  The console is available in 22, 32 and 42- fader versions. The 32-fader desk consists of 20 channel strips, optimised for input channel operation, and 12 additional versatile strips for operating input or output channels. By using the standard Vistonics screen rotary controls, up to 52 outputs are under immediate control. A total of up to 240 channels can be accessed from the desk and laid out in any order, with the Vistonics system giving instant control over all related channel functions. DSP power and I/O are specified by the customer. The total I/O capacity, comprising various cards including mic/line, ADAT, TDIF, AES/EBU, SDI and MADI, may exceed 1700 inputs and outputs.  The 42-fader version has an additional bay of 10 input faders which allows an operator to control 42 input channels simultaneously, but equally importantly allows true two-person operation of the desk. This input bay is situated to the right of the output/master section, and can be 'isolated' from any global adjustments made on the left side of the desk using the LOCK mode. For example, changing fader layers or sections on the leftside will not affect the right-hand side channel faders when locked. The right-hand fader section features its own control panel to switch in or out the processing and EQs, so two operators will always have direct access within their own sections and users don't have to do any unnecessary moves across the console. When not locked, all channels on the desk follow the global view changes of displayed parameters, as well as following any section/layer changes. The 22-fader version delivers Vista mixing power in applications such as OB trucks where space is at a premium, providing all the flexibility of the D21m I/O system. All models are available with or without the TFT meterbridge.  At just 6U (6 rack spaces), Studer's SCore Live DSP engine is much smaller than many DSP engines, and, by including some local I/O, demands much less space on installation than many other console systems.  The Vista 5 M3 offers all the surround capabilities a user can dream of. Formats include 2CH stereo, LCR, LCRS and 5.1. The internal 5.1-to-stereo downmix function allows for simultaneous live productions in both formats. The Vista 5 also includes Studer's world-famous 'Virtual Surround Panning' (VSP™), using not only amplitude, but also time delay and frequency response panning.  Recommended for: Broadcast, Performing Arts, TV, OB Van, Theatres, Houses of Worship, Installed Sound.
    Mixers
  • Dante Ch: 64x64
  • 24-bit
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  • Roland

Roland – M-5000C

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility
  • Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
  • Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
  • Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
  • Outstanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options
Surface Design
  • 12" touch screen with “touch and turn” operation
  • 20 freely scrollable, isolatable, or assignable faders
  • Numerous knobs and buttons, both contextual and assignable, to support rapid response
  • Dedicated, freely assignable user section
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  • Dante Ch: 64x64
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SSL-Live-L550
  • Solid State Logic

SSL – L550

 Like all SSL consoles the secret to the success of the L550 is SSL’s dedication to great sound. Part of the success is attributable to exemplary hardware performance throughout the signal chain: bringing SSL Studio grade mic pre’s to the stage, outstanding audio conversion, 96kHz operation and magnificent summing. In just a few years SSL Live consoles have met widespread praise from many of the world’s leading live engineers. SSL Live consoles are designed to help highly skilled operators deliver outstanding performances in the most demanding applications in Touring, Installation, Houses Of Worship and Theatre. Like all SSL consoles the secret to the success of the L550 is SSL’s dedication to great sound. Part of the success is attributable to exemplary hardware performance throughout the signal chain: bringing SSL Studio grade mic pre’s to the stage, outstanding audio conversion, 96kHz operation and magnificent summing. There is a sublime transparency, definition and detail in the fundamental sound of the L550 that is difficult to describe but is immediately recognisable as the SSL signature. An equal, perhaps even greater part of the secret of the power of the L550 is however the way it enables operators to perform at their very best. The deceptively simple ergonomic excellence of the combination of multi-touch screen control with assignable hardware controls, the use of colour coding, the open architecture which lets engineers configure the console layout to suit their own way of working, the arsenal of processing options, the precision and depth of those processing tools… and so much more… it all combines to let the operator get where they can hear they want to be extremely quickly. Like all great creative audio technology, SSL Live consoles are instruments for engineers... Control The key to a great control surface is a clear view of everything in your audio environment and finding exactly the control you need at your fingertips when you need it. With the Live SSL’s obsession with ergonomics and workflow has delivered an intelligent, elegant and comfortable layout. All of the most commonly used functions are carefully arranged so that they sit within reach where your hands naturally fall on the console. There is a wealth of visual feedback with carefully considered use of colour change technology that will not fatigue the user during long periods of operation. The Live control surface delivers a genuinely intuitive combination of gestural touch screen & hardware control and a whole collection of innovative features designed to streamline workflow. Power The power within SSL Live consoles is provided by our new ‘Tempest’ platform, developed specifically to meet the demands of live production. We are of course very proud of our clever new processing technology, but at SSL our focus is always on what really matters and that is you having the power to do your job well. Live harnesses Tempest’s power in a sensibly flexible way to let you balance allocation of resource between signal processing and console architecture to suit each project. Thanks to the intrinsic flexibility of our approach, no matter how you configure it, when you compare the numbers, Live gives you more Inputs and Outputs, more Channels, Stem Groups, Auxes, VCA’s and Masters, more processing tools and more signal processing power than many consoles with much bigger price tags. Tempest Live consoles are powered by Tempest, a new fourth generation digital audio platform developed specifically to meet the demanding requirements of the live environment. Learning from more than 25 years of digital console development, Tempest is a ground up development. All legacy code – the key to the sonic excellence of previous generations of SSL digital consoles – has been rewritten in the latest software languages. The high capacity signal processing engine at the heart of Tempest uses SSL’s patented Optimal Core Processing (OCP) to deliver highly efficient and reliable performance with minimal latency. Tempest delivers all of the power required to equip Live with all of the mixer architecture, processing power and connectivity to handle large scale events. The Live signal processing engine is integrated entirely within the control surface.
    Mixers
  • Dante Ch: 256x256
  • 24-bit