Cart
← Back to Product Catalog

Glensound – DARK16AO

I/O Interfaces

More details

Similar Products

focusrite-red-4pre_1200px
  • Focusrite

Focusrite – Red 4Pre

Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite. Focusrite's 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for our lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays. Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre. The Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. When ‘Air’ is enabled, the microphone impedance is set to 2.1kΩ and the frequency response curve is given a subtle mid-high boost – all in the analogue domain.
    I/O Interfaces
  • Dante Ch: 32x32
  • 24-bit
See the product
Dante官网logo
  • BARE

BARE – BE-1616D

The network audio processor is a network audio processor with 32 inputs (16 analog and 16 digital) and 32 outputs (16 analog and 16 digital), using the industry-leading ADI DSP SHARC21489 chip , The highest operating frequency can reach 450MHz. The input and output modules of the DSP can be customized according to the actual situation. At the same time, it has independent AFC, AEC, ANS, AGC, gain sharing automatic mixing, threshold automatic mixing and other processing modules to meet the needs of audio processors and transmissions in various places. Such as meeting rooms, multi-function halls, conference center auditoriums, administrative centers, etc.
    I/O Interfaces
See the product
ASL-ENC-1202_1200px|ASL-ENC-1202_1200px
  • ASL

ASL – Enchorus ENC 1202

The ENCHORUS ENC 1202 Dante™-based audio network module offers eight line outputs with individual delay (at a maximum of 2.7sec.) and four line inputs, with a four-band equalizer on each input and output. The ENC 1202 features eight built-in mixing engines and support for sample frequencies up to 192kHz. The device is easy to control and monitor through a web interface. A built-in audio matrix allows flexible routing of all inputs, outputs, and mixer signals. The ENCHORUS Dante™-based audio network was designed specifically for stage applications, offering professional connectors and superior audio quality. All ENCHORUS models include filtering and mixing capabilities and can be configured very rapidly via the integrated web interface. ENCHORUS modules are tough enough on their own but also include rubber bumpers that allow them to be easily and safely stacked on stage.
  • Throw-down Box
  • 8x line outputs with delay (max. 2.7sec.)
  • 4x line inputs
  • Support of redundant Dante networks or daisy chainable
  • 4-band EQ for each input and output
  • 8x built-in mixing engines (16 inputs, stereo output)
  • Built-in audio matrix for flexible routing of all signals
  • Control via web interface
  • Sample rates: 44.1kHz/48kHz/88.2kHz/96kHz/176,4kHz/192kHz
    I/O Interfaces
See the product