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Panasonic – WX-SR202DN

Microphone Preamps

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Whirlwind_-_ES4_Digital_Snake|Whirlwind_-_ES4_Digital_Snake
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The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats. The ES4 system offers sixteen channels of American made, professional quality microphone preamplification and eight line level return channels via a choice of digital transport formats. Each ES4T (transmitter) and ES4R (receiver) can be configured for Cobranet®, or Dante® formats by simply changing the network module in the unit. The exceptional performance, ease of use, and extreme flexibility make the ES4 series products excellent I/O devices for any digital audio network. The typical Whirlwind ES4 system consists of two components: the ES4T transmitter module, which has sixteen balanced mic/line inputs and eight line level outputs. The matching ES4R receiver module has sixteen line level outputs and eight line level inputs. All inputs have variable gain controls and LED level monitoring.  
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The RME 12Mic-D features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and Dante connectivity; plus a multitude of additional functionality, designed for use in high-end studio recording, live audio, and location sound and music recording.

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Glensound – Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. The shape and feature set of the Symphony came from the customer's many years of experience from within the orchestral music industry. The simple controls for the musicians, the microphone amplifier setup hidden away from the musicians, the ability to mount the Symphony on a microphone stand and a clean blank audience facing side of the box were all key required features. Being a high caliber audio environment naturally the microphone amplifiers and monitoring circuits had to be the best available, which was made possible because of our many years of experience in broadcast audio. Features
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