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Panasonic – WX-SR204DN

Microphone Preamps

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studio-technologies-m5205_600px|studio-technologies-m5205_600px
  • Studio Technologies

Studio Technologies – Model 5205 Mic/Line to Dante Interface

The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology. The Model 5205 Mic/Line to Dante Interface is a general-purpose audio device that supports applications utilizing the Dante® audio-over-Ethernet media networking technology. Two analog microphone or line-level audio signals can be connected to the Model 5205. They are amplified as required and then converted to digital audio channels on an associated Dante connection. With the inherent interoperability of Dante, the Model 5205 can be used with other Studio Technologies Dante-enabled products or a multitude of devices from many other manufacturers. Microphone or line-level balanced analog audio signals are connected using two 3-pin XLR connectors. The gain of the associated preamplifier circuitry can be selected for 0, 20, 30, 40, 50, or 60 dB. P48 phantom power is provided to support condenser microphones. LEDs display the status of the gain and phantom power functions. Multi-step LED meters provide confirmation of the level of the two Dante transmitter (output) audio channels. The gain of the preamplifiers and on/off status of the P48 phantom power sources can be selected locally using the pushbutton switches. They can also be monitored and selected remotely using the STcontroller application. The audio quality of the Model 5205's two audio channels is excellent, with low distortion, low noise, and high headroom. Careful circuit design and rugged components ensure long, reliable operation. A wide range of applications can be supported, including TV, radio, and streaming broadcast events, corporate and government AV installations, and post-production facilities. The Model 5205 requires an Ethernet connection to supply both the data interface as well as Power-over-Ethernet (PoE) power. This requires an Ethernet connection from a PoE-enabled Ethernet switch. Alternately, the Model 5205 can be powered by an external midspan PoE power injector. Key Features
  • Dante audio-over-Ethernet technology
  • Two analog mic/line inputs to Dante digital audio outputs
  • Selectable preamplifier gain and P48 phantom power
  • Audio channel level metering
  • Excellent audio quality
  • Power-over-Ethernet (PoE) powered
  • Standard connectors; compact, lightweight design
  • Configured using STcontroller application
    Microphone Preamps
  • Dante Ch: 2 Out
  • 24-bit
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  • Focusrite

Focusrite – ISA 428 Mk II

ISA 428 MkII incorporates four of Focusrite's renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today's model makes one small change, adding three additional input impedances to the classic ISA 110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design.

Each mic pre has the option of mic, line or the front-panel instrument input, with variable input impedance to ensure you are getting the best performance from the source. Up to 60dB of gain is available on the four-position rotary and gain range switches, with a further +20dB of continuously variable trim, meaning a huge 80dB of gain is available should it be required. The high-pass filter features variable cut-off frequency between 16 and 420Hz. An array of 6-segment LED meters show peak signal level for the four mic pres, in addition to the four direct inputs to the optional A-D card. Switchable rear-panel insert points allow the use of inline processors such as compression.

    Microphone Preamps
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glensound-symphony_1200px|glensound-symphony_1200px
  • Glensound

Glensound – Symphony

Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. Glensound's Symphony audio monitoring and microphone amplifier was originally designed to meet one of our customers requirements. They had been using a similar analogue monitoring system for many years and when they updated their production mixer to a Dante enabled desk they naturally wanted to encompass and embrace the advantages of the network audio system to include their monitoring and musical instrument pre amplifiers. The shape and feature set of the Symphony came from the customer's many years of experience from within the orchestral music industry. The simple controls for the musicians, the microphone amplifier setup hidden away from the musicians, the ability to mount the Symphony on a microphone stand and a clean blank audience facing side of the box were all key required features. Being a high caliber audio environment naturally the microphone amplifiers and monitoring circuits had to be the best available, which was made possible because of our many years of experience in broadcast audio. Features
  • Dante / AES67 compatible
  • Monitoring for 2 musicians
  • 2 x high spec microphone amplifiers
  • Mounts on a microphone stand
  • Plain rear view facing audience
  • 3 x stereo monitoring inputs
  • 2 x local instrument monitoring circuits
  • Individual headphone volume controls for each musician
  • Originally designed for an Orchestra
  • Talback mic on front panel
  • Push To Talk (PTT) switch
  • LCD dispaly for setup of gains etc
  • Display & setup controls on floor facing side to prevent use by musicians
    Microphone Preamps
  • Dante Ch: 4 Out
  • 24-bit
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