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Qu-6D

Mixers

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GLD112
  • Allen & Heath

Allen & Heath – GLD-112

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers.GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by iLive's acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise.
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  • Mackie

Mackie – Axis DC16

This product has reached end-of-life and is discontinued AXIS delivers a workflow that is built around speed. Built around the innovative workflow of Master Fader, DC16 control surface provides instant access to everything. Every control and every channel is instantly accessible with just the push of a button. Adjust your selected channel's key controls or dive in to the deepest parameter. Navigate like never before with view groups and a mix selector that provide faster navigation compared to traditional "banking" approaches. AXIS is focused on incredible visual feedback at all levels. Large, high-resolution channel screens let you see it all at a glance, improving workflow unlike any other console in this category. DC16 uses full-color, backlit TFT screens with variable brightness control to deliver more critical channel information, more functional differentiation and large, extremely legible fonts sizes and icons. Add in the immense screen, touch-sensitive screen space of up to three iPads and it's clear that only AXIS can provide this level of visual feedback to improve your workflow.
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roland-M-5000C_1200px
  • Roland

Roland – M-5000C

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility
  • Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
  • Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
  • Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
  • Outstanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options
Surface Design
  • 12" touch screen with “touch and turn” operation
  • 20 freely scrollable, isolatable, or assignable faders
  • Numerous knobs and buttons, both contextual and assignable, to support rapid response
  • Dedicated, freely assignable user section
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  • Dante Ch: 64x64
  • 24-bit
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