RDL – RU-MLB2


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eris-audio-one
  • Eris Audio

Eris Audio – ERIS ONE

ERIS ONE is a Dante audio interface which provides the user with a high performance, low latency and uncompressed digital audio networking.  ERIS ONE is a Dante audio interface which provides the user with a high performance, low latency and uncompressed digital audio networking. The equipment offered standard multipurpose I/O commonly used in the professional audio environment. Eris Ons is versatility, scalable architecture and high-performances it can be fully used in the most demanding recording studios, live music, audiovisual installations and broadcast environments. It is designed to be used quite independently, all the ERIS ONE functionality is accessible through an easy and intuitive interface or operated remotely. As a system, it offers the user scalability to adapt its necessities through IOX extensions, allowing to increase I/O capacity in a modular way. The internal and external elements are placed to achieve the peak heat dissipation without the need for forced ventilation. This characteristic gives the longest possible life and most reliable machine. In addition to this, it makes it less vulnerable to dust contaminants and humidity conditions.. The compound audio processor that according to its application lets the user choose and upload the wanted audio effects. All this leads to an efficient, strong and adaptive system. The conversion system possesses programmable oscillators which enable us to provide our users the highest accuracy and digitally conversion quality in each sample without having to rely on temperature settings. The ERIS ONE front panel, is fully machined as a single piece of aluminum. Silicone backlit buttons, the metallic controls and the chassis in a U position confers a robust and long life-span equipment.
    I/O Interfaces
DIO1616MAXLRfb
  • CTP Systems

CTP Systems – DIO1616MA-XLR

The DIO1616MA-XLR is a Dante enabled interface converting sixteen analogue microphone or line level inputs to Dante streams. The unit also converts Dante streams to sixteen line level analogue outputs. All microphone/line level inputs have adjustable gain from +65dB to -12dB and the analogue outputs from +12dB to -12dB in 1dB steps. Phantom power may be selected to each microphone input. The unit operates at 48kHz and 96kHz and network connection may be copper and/or fibre and is PoE enabled. The DIO1616MA-XLR is a Dante enabled interface converting sixteen analogue microphone or line level inputs to Dante streams. The unit also converts Dante streams to sixteen line level analogue outputs. All microphone/line level inputs have adjustable gain from +65dB to -12dB and the analogue outputs from +12dB to -12dB in 1dB steps. Phantom power may be selected to each microphone input. Network connections may be copper and/or fibre via two SFPs and the unit includes connections for network redundancy. The DIO1616MA is PoE enabled so may be operated without a mains supply if required. All level control and phantom switching is adjusted using the built in web server. The unit operates at sample rates of 48kHz and 96kHz. The unit will also operate in AES67 mode. Power is PoE or mains 110-240 VAC 50/60Hz auto switching. Dimensions 2RU, 300mm deep.
    I/O Interfaces
  • Dante Ch: 16x16
  • 48kHz-96kHz
neutrik-xirium-pro-rx_0
  • Neutrik

Neutrik – XIRIUM PRO RX

This product has reached End of Line and is discontinued XIRIUM PRO NXPTX2 and this NXPRX2 receiver work together to provide digital transmission facilitating the highest possible sound quality, reliability, and outstanding performance in one unique solution. With XIRIUM PRO Neutrik introduces a new, innovative product, allowing for easy adoption of DiWA technology. With just two devices, namely a transmitter (TX) and this receiver (RX), audio transmission can be established quickly, and more cost effectively then using traditional audio cables or other wireless systems. Engineers, artists, and project designers can now think beyond the physical limitations of the traditional audio cable. Equipment such as loudspeakers, amplifiers, and mixing consoles can now be positioned for optimal audio performance and what makes the most acoustic sense allowing artistry and sonic performance to take priority over venue logistics.
    I/O Interfaces