Dante-enabled Product Catalog
PENTA 721 is a compact 1U digital audio interface with 8 AES/EBU I/O channels, 3 MADI coaxial or optical I/O, 64 channels IP Audio Ethernet I/O powered by Dante and an interface for Avid Pro Tools for up 64 channels of audio I/O.
DNTBOB 88 is a high quality, general purpose 8-in / 8-out interface to transmit and receive line level analog audio signals via a Dante network. Analog inputs are converted to digital and appear on the network as transmit channels. Audio for the analog outputs is taken from subscriptions to transmit channels on the network from other sources. When connected to a network, each break out box will appear as a separate device in the Dante Controller software interface.
The DN9652 Dual Network Bridge has been designed to allow two dissimilar digital audio networks to interface simply and reliably.
- Dante Ch: 64x64
- 16-bit, 24-bit, 32-bit
The DN9650 Network Bridge allows all Midas digital consoles and MIDAS digital I/O hardware, KLARK TEKNIK DN9696 High Resolution Audio Recorders and many other AES50 devices to connect to many different multichannel digital audio networks simply and reliably.
- Dante Ch: 64x64
- 16-bit, 24-bit, 32-bit
Four Audio's DBO1 is a Dante breakout box providing 8 analog output channels and optional 4 AES outputs or 2 AES inputs + 2 AES outputs with outstanding audio performance values.
RedNet 5 connects your RedNet system to Pro Tools HD®. Up to six units can be connected to one Pro Tools HDX system, supporting up to 192 channels at 96 kHz or 96 channels at 192 kHz. Pro Tools HD® Native and Pro Tools HD® (TDM) are also supported. RedNet 5 is interoperable with other Pro Tools interfaces and no RedNet PCIe card is required.
RedNet 4 adds eight of the latest remote-controlled Focusrite mic preamps / line inputs to your RedNet system through a single Ethernet cable. With two selectable DI’s, RedNet 4 provides an effective range of analogue inputs for your system. The unit includes Focusrite’s world-class precision A-D conversion. Mic/Line/DI selection, gain, phantom power, HPF and metering are also accessible from the front panel. The benefit of remote control microphone pre-amp gain is that you can keep the mic pre close to the source (so the analogue cable run is minimal) while still setting gain stages from the control room.
RedNet 3 interfaces your existing digital audio systems and components to the RedNet network, with up to 32 inputs and outputs and full software remote control. The unit includes support for AES/EBU, S/PDIF and ADAT (16 ADAT optical ports support 32 digital channels in and out – even at 96kHz, with S-MUX2) digital audio formats and allows the RedNet system to be synchronised to incoming signal clock or a word clock source.
RedNet 2 adds 16 remote-controlled analogue channels in and out to your RedNet network and can be located anywhere you can run an Ethernet cable. Featuring Focusrite’s precision 24-bit A-D and D-A conversion for superb audio performance, it delivers 119dB dynamic range at sample rates up to 192kHz. The rear panel includes standard DB25 connectors for analogue patchbay or breakout cable interfacing.
RedNet 1 connects to your network with a single Ethernet cable. It’s remotely controlled via the network and can be placed anywhere in your facility. It offers eight channels of line-level analogue in and out, with Focusrite’s precision 24-bit A-D and D-A conversion for superb audio performance, and 119dB dynamic range at sample rates up to 192kHz. The rear panel includes standard DB25 connectors for analogue patchbay or breakout cable interfacing.
The DAD AX32 allows no-compromise audio recording, mastering, post production, and future-proof archiving A new feature is the inclusion of IP audio capabilities handling up to 512 channels on a 10 gigabit per second Ethernet link.
