CTP Systems – DMIX30


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iLive-144
  • Allen & Heath

Allen & Heath – iLive-144

This product has reached end of life. Please refer to dLive S5000.The Surface is simply a controller for the MixRack. It also has an audio rack built into it to conveniently provide local inputs and outputs at the mix position. It features a large analogue style, one control per function processing block, TouchScreen, name and colour virtual Ôwrite-on' strip, banks of motorised faders with independent layers, SoftKeys, built-in headphones, local monitor and talkback. The modular iLive-144 allows a variety of audio I/O modules, network formats and redundant power supply options, and is shipped in a touring flight case.
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studer-vista-v_600px_0|studer-vista-v_600px_0
  • Studer

Studer – Vista V

The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease. The new Studer Vista V console harnesses Quad Star technology from the acclaimed Vista X to deliver a powerful, dependable and flexible broadcast audio mixing solution in a compact form factor. Studer's Vistonics™ interface and FaderGlow™ create a uniquely intuitive and stress-free operator experience, while the Infinity Core provides unprecedented levels of CPU-based processing power, handling the largest productions with ease.
  • 32-, 42- or 52-fader console with optional built-in meter bridge.
  • Harnesses Vista X Quad Star technology in a more compact form factor, for no single point of failure redundancy.
  • Fully surround-capable with versatile panning and monitoring functionality.
  • Sophisticated built-in Dynamic Automation system with DAW remote control.
  • High-quality motorised faders.
  • VistaMix – Studer's acclaimed automated microphone mixing algorithm, based on gain sharing. Runs directly on the Infinity Core with no external hardware required.
  • Infinity Core with 12 high-capacity A-Link ports (1536 channels/port) for D23m I/O integration or direct connection into routing systems including Riedel, Evertz, Artel, etc.
  • Easy integration into popular AoIP broadcast networks including Dante, Livewire, AES67, etc.
  • BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core.
  • Up to 6 Lexicon PCM96 Surround high quality reverb processors can be connected with their parameters stored in the mixer's snap shots and accessible directly from the Vistonics Interface.
  • Connecting up to 4 Soundcraft Realtime Racks gives the user access to Universal Audio's huge UAD plug-in library. Parameters are stored and managed directly in the mixer's CUE-List automation.
  • Ember and Pro-Bel protocol support for use with broadcast/newsroom automation systems.
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  • Dante Ch: 64x64
  • AES67 Enabled
roland-M-5000C_1200px
  • Roland

Roland – M-5000C

The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). The Roland M-5000 live mixing console unlocks a completely new realm of flexibility. The console's internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses, including the use of one or two Roland XI-Dante cards (with up to 64 channels each). This allows the user to essentially “build” a console structure based on the immediate needs of the application. The M-5000 is the first offering in Roland's new approach to  audio equipment called O.H.R.C.A. or Open High Resolution Configurable Architecture. It conforms to the needs of both the application and the operator by delivering freely definable audio paths, flexible user interface and workflow, expandable protocols, and multi-format I/O choices —all delivered at a pristine 24-bit / 96kHz sound quality. This achievement in an ideal frame size opens a new generation in live sound solutions. Extensibility
  • Unrestricted patching for up to 300/460 inputs and 296/456 outputs (96kHz/48kHz)
  • Support for a wide range of protocols and formats including REAC, Dante, MADI, and Waves SoundGrid
  • Full compatibility with the family of Roland Professional Audio snakes, personal mixing, and multi-channel playback/recording
High Resolution
  • Outstanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options
Surface Design
  • 12" touch screen with “touch and turn” operation
  • 20 freely scrollable, isolatable, or assignable faders
  • Numerous knobs and buttons, both contextual and assignable, to support rapid response
  • Dedicated, freely assignable user section
    Mixers
  • Dante Ch: 64x64
  • 24-bit